Hello. I am conducting research for a book on today's artists in all genres and would like to know what your opinions are regarding the following questions:

Do you as an artist believe that provenance of your work is important?

And, if so, why?
Or, if not, why?

Do most living artists believe that their work could someday be considered as valuable asset or collectible?

Thanks... Your input is important and will be considered for possible publication with credits. If you have any opposition or questions regarding this, please email me directly, or let me know when posting your reply.

Thanks very much...
Teri Franks

Provenance remain an important part of being a professional artist. Although we (artists) all think/hope that our art will become valuable "assets" someday, most of us neglect the simple idea that, if we don't see our works important enough, i.e., creating a catalogue of who bought them, or keep track of who has them for ourselves, then what chance will there be that they will be seen as important documentation of contemporary art?

The importance of keeping track of the works should be important in one aspect. For me, it is because it is something I created; therefore, it is important to me. I'd like to know where it is, or if it has changed hands.

Of course there is always the challenge that most artists are not interested in the mundane tasks involved in creating a provenance, as it remains a task that museums and collectors take on; however, one can easily do this on their own. It is a matter of pride in one's work. Most galleries don't even think to do this. But with today's technology, creating a provenance is much easier.

I'm not saying that I'm a prime example at cataloging my works. However, I do my best...certainly where etchings are concerned. With paintings, I at least keep track of who had them last, and keep them informed as to what I've been working on, with hopes that they will remain in contact with me. And in the off chance that they've outgrown the work, that they would let me know. Not many people will volunteer that, especially a novice collector. But with a little finesse... ;)

Why it remains important? Aside from the fact that all I have is a slide of a previous work, I would like to know that I can count on asking to borrow works from the buyer (or who currently owns the work) for what ever reason, as reference for something I'm working on, for an exhibit, etc. But most of all, To encourage them to want to see more of my works in the future. People that purchase art are actually tickled to know that an artist is remaining passionate with their works. Collectors know that if an artist works at marketing himself, their purchase will have a better chance of appreciating in value.

The relationship between an artist and the purchaser should never end at the sale...it should be the beginning of a genuine "partnership." That's the only way a buyer will become a collector of your works.

If you'd like an elaboration to this aspect of being a professional artist, please e-mail me. The above e-mail is my "catch all" e-mail address.

JAZ